Death is tedious

A few events in the past week got this going. Photo is of a glass of wine I had tonight.

Death is tedious. It greets you with reminders of each time you met.

Death waits as a body turns against itself, eats an apple while seated on a windowsill choosing whether to nod at its name being called.

Death puts coarse molasses sugar over memory, then sears it brown. You take your teaspoon to crack at the glaze to let the memory breathe and stir it. The shellac cannot be broken.

Death jumps backward to parrot screams, coughs, laughs, a fond sigh, drowsy breaths that were once strong and pressed against you. It is a refrain only for you. You recall the light and who and the touch and are almost there. Almost. But they are the ripples Death has sent forward to you, and they break.

Death then leaves to sit on another windowsill, says that it will meet you again in the past, the future, or a sudden now.

You move forward, the only thing you can do, and see the compressed ripples before you, the laggard ripples in your wake, and wonder which of them Death will borrow and send to another.

Liking Rufus Wainwright backwards

I was first aware of Rufus Wainwright in a group photo that ran in Rolling Stone in a gallery of spawn from music stars. Saw his debut album for sale and went “Okay, whatever.” Passed it by. Then in late 1998 this ad came out for the Gap in which Rufus sings “What Are You Doing New Year’s Eve”:

My reaction? What is up with that minor chord mopey caterwauling? Bleh! Not my thing. Pass!

In 2001 was aware his album Poses got some acclaim. Not tempted to buy it. Minor-key caterwauling. Not my thing. Pass!

Jump to 2007. Heard his song “Going to a Town”, about losing faith in the U.S. as it denies rights for gays saying they are unworthy of love or respect, is lost in superstition to a pretend god, rejects world compassion, awash in arrogance. He resolves to head to a place that has already fallen and taking his inspiration there. Bush politics and the trouncing of the forces of reason made this resonant. I bought the song, and then the album: Release the Stars.

Got engrossed by the creativity, breadth of sounds, daring, cheek, and feeling. I’d also matured to the point where life itself was more minor key, yearning, and ambiguous. I started buying and listening to his albums in reverse order. And getting into his biography. Especially the album Poses with its salutation to a life of indulgence, compulsion, debauchery, staying up too late, adolescence. Rufus was saying goodbye in 2001 to this phase of his life, or wondering if he ever would. After the album he had to deal with a severe meth addiction. A great anthem for those who seek to get lost in destructive habits and find wisdom there and hope to get out, or stay lost: “Cigarettes and Chocolate Milk”

Cigarettes and chocolate milk
These are just a couple of my cravings
Everything it seems I like’s a little bit stronger
A little bit thicker, a little bit harmful for me

If i should buy jellybeans
Have to eat them all in just one sitting
Everything it seems I like’s a little bit sweeter
A little bit fatter, a little bit harmful for me

And then there’s those other things
Which for several reasons we won’t mention
Everything about them is a little bit stranger
A little bit harder, a little bit deadly

It isn’t very smart
Tends to make one part so broken-hearted

Sitting here remembering me
Always been a shoe made for the city
Go ahead, accuse me of just singing about places
Where scrappy boys faces
Have general run of the town
Playing with prodigal sons
Takes a lot of sentimental valiums
Can’t expect the world to be a Raggedy Andy
While running on empty
You little old doll with a frown

You got to keep in the game
Maintaining mystique while facing forward

I suggest a reading of ‘A Lesson in Tightropes’
or ‘Surfing Your High Hopes’ or ‘Adios Kansas’

It isn’t very smart
Tends to make one part so broken-hearted

Still there’s not a show on my back
Holes or a friendly intervention
I’m just a little bit heiress, a little bit Irish
A little bit Tower of Pisa whenever I see you
So please be kind if i’m a mess

Cigarettes and chocolate milk

Onward listening to his music swirled, and in August 2009 I went with a longtime friend to see Rufus play a concert in Seattle. Great show. Great company. Spent several hours with my friend catching up on a decade of history and shifting from deep to frivolous then back again through the afternoon/evening. Had fun at the show enduring a dreary, precious opening act. Rufus was very engaging, gave the audience the songs and the banter they wanted. He included songs from upcoming projects including his opera Prima Donna.

November 2009 Rufus announced a new album: All Days Are Nights: Songs for Lulu. “Lulu” is the name of a dark side diva personna. Many of the songs dealt with his mother’s long battle with cancer, and facing her probable death. Rufus’ mother is Canadian folk singer Kate McGarrigle. His sister is Martha Wainwright, another singer and recording artist.

In January 2010, Rufus’ mother died. In February 2010 the album was released. In August 2010 I went to see Rufus in concert, again in Seattle, again with the longtime friend. I arrived scatter-brained and distracted. My friend was very patient. Martha Wainwright opened. I had her solo album I Know You’re Married, But I Have Feelings Too. The writing was clever, but her voice reedy and tough for me to listen to for more than 1-2 songs at a time. As the opening act? Martha was feral and worked the crowd and the microphone stand and seemed ready to break and to pounce in turns. Very moving presence, and her voice was in great form. Her prowling had me shifting in the seat. I was bowled over. It was fun to discover that next to my friend and gave a sense of now I was lacking earlier. We were buzzing and inspired during the intermission.

When it was time for Rufus to take the stage, there were explicit directions given to the crowd: no applause for the first section of the show. Why? We would soon discover.

Rufus performed the entirety of his album as Lulu, in a long blue dress, tall plumage, and heavily marked up face. He deliberately booked six months of solid concerts after his mother’s death in an effort to get lost in music, delay the grieving. This was his last show of the tour with his sister. Below are the opening two numbers: “Where are You New York?” and “Sad With What I Have”:

The next song is “Martha” about trying to reach his sister with their mother near death and an estranged father. After the series of songs were over, he got up from the piano, exited the stage as the crowd stayed silent until the long blue train of his dress almost slipped out of sight. After a few minutes Rufus entered the stage as himself and gave a performance on piano and guitar, and sang several of his solo songs with his sister along with some favorite songs of their mother. Very affectionate, very engrossing. All throughout I was delighted by the music, taken to deep places and memories and glad to have an attuned friend who was also having an enjoyable time. “Martha” below, to close the loop:

Rufus is now a father with his longtime boyfriend, a ferociously handsome and funny German dude. Rufus plays off the contrast in their dispositions in “Sad With What I Have”. The mother is the daughter of Leonard Cohen. Looking forward to what he does next.

Yes, I know.

Two nights ago I made a post about Marky Mark dancing in his underwear 20 years in the past. About an hour later, I sat down and processed out my feelings about the news of someone’s death that day. Life hops around.

A gal I once kissed died today.

We’ve all had moments where the conversation starts: “Hey, do you remember so-and-so?”

Answer: “Oh, sure!” Cue mental memory of last interaction with that person. What the person was like, what you were like. If fond memories (almost always), a sweet haze surrounds the evocation.

“So-and-so is dead.”

Cue giant scythe swooshing down and cleanly slicing the reverie, slicing the moment to something horrible and abruptly sad.

That didn’t happen today. But I got word someone I once kissed died after a protracted fight with cancer. Same age, endured through her birthday last week and then surrendered following a visit from long-time friends and surrounded by family.

When someone we know dies, we become the sole caretakers of those moments. That person can no longer speak up with a smile or a head shake and say “Oh, yeah! I was there with you.” Even minor moments. A stark experience.

In high school, she was wavo/goth. By junior/senior year, pancake makeup, clove cigarettes. Usually second or third banana. Content to be in the background.

I went to college in another city for two years. Moved back into my hometown where she was by then in regular social rotation with a pocket of long-held friends.

The anthropology of dating was never my forté. I was a keen observer, but a lousy participant in picking up/acting on cues. Shy, easily daunted despite tendency toward extroversion and saying severe things very loudly to the acclaim/dismay of those within earshot.

So, in this small social circle she was initially unattached. She had also really blossomed. Dropped weight, got confident about her appearance. Went out into the sun. Got a retail job. A decent car that she painted colorful fish on. Strong sense of humor. Good listener. Fun to be around – good with a supplemental joke to follow someone else’s start. I got interested.

She had no problem dating. One of her boyfriends was a Deadhead guy who was the typical tightly-wound “It’s all good” mellow affectation, VERY PARTICULAR about the type of mellow to be, and who became highly agitated when his sensibilities were challenged. 22 years later, I wonder if he detected my circling around her and reacted to it, or if I was laying topical landmines for him to step on because I was jealous.

Eventually, I had a chance. I invited her to watch a movie with me at my parents’ house out in the country. I had just moved back and transferred to the hometown state university and hadn’t found a place yet. Can’t remember the movie we watched. She was wearing capri pants and I spent much of the movie semi-absent-mindedly stroking her lower leg, which she had rested on my lap.

I drove her back home to her apartment, dropped her off, and we kissed in the doorway. She put her hands in my pants pockets and said: “Oh, what have we here?” “Keys” I answered with a smile. She laughed. No invite in. Never kissed again.

I was still hanging around in group settings, sometimes hanging out in restaurants. I was still interested. I talked the ears off of mutual friends (thank you for your patience). They knew it wouldn’t work even if it DID happen. I kinda knew it, too. But I still liked her. Hadn’t dated for a while other than her. It was a goal.

She finally admitted to others that she wasn’t interested in me, but did like having me around for the attention. Mutual friends told her it was mean to waste my time like that. She reacted with a shrug. *GASP* was my reaction upon this report. Still I continued to hang around. Can’t recall for how long.

A sister of hers was getting married. Among her sisters, she was the only one NOT yet married or engaged. The Catholic wedding was on a Saturday, but she asked me to go as a date. Met a lot of her family, dull as I was, I was clearly a beard or being used to keep the pressure off her a bit. In advice column parlance, in this phase I had the knack of falling into the “friend” track instead of the “boyfriend” track.

During the wedding, someone had taped letters onto the soles of the groom’s shoes so when he kneeled for Communion it said “Send Help”. Really, really funny.

Later that night, I was to carpool with my brother to meet our parents for a weekend at the beach. As I drove with her to the reception, I mentioned looking forward to the beach. She got huffy and said: “Well, if you’re looking forward to the beach so much, you DON’T have to go the reception!” Then the weeks of being kept around, being a prop boyfriend/fiancé, not getting a thank you for sitting through a wedding all fell into place and I felt a bit of a spine forming. “Okay. I’ll drop you off, then.” Did just that. She slammed the door. I couldn’t wait to tell my friends. Drove to one friend’s workplace. We cracked up. Reported later that she was FURIOUS for days afterward, and they reinforced to her that I got fed up of being dragged around.

Eventually I think she moved to Seattle. Then a long while later I heard she got married.

A year ago I heard she had cancer, and that it was severe.

A few days ago mutual friends gave updates on her condition: fatal. She’s a mother and wife.

One of the friends posted a recent photo of her. The trend toward coming out of her shell continued. She looked radiant, proud, even prettier than when I knew her.

I feel for her grieving spouse and children. A horrible loss for them, and an awful burden for her, to know you will die and not get to see your children become adults. This children you love losing a parent. Your spouse burdened by your permanent absence.

My memories of her will remain true to the time. I’m still proud of my little stand, slow-coming though it was, but I’ve no illusions: that moment in no way fully reflects on the people we each were and became.

News and contemplations like this can lead to new resolve to strive for something inward, or for something outward. As it does in the plots of books and movies. Even now, though, through the sympathy and sadness I still sense myself wanting what I want, as before. Am feeling the impermanence of things more than usual. Slightly increases the resolve of “capture the day” when it comes to projects and other ambitions, but that could fluctuate based on what’s on tv or other distractions. And had the last few lines of Gwendolyn Brooks’ “We Real Cool” running through my head today:

              We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

Goodbye, S. I regret not knowing you better, but am glad to know you became a mother with a supportive spouse and children. I wish them well, and can imagine the depth of their loss knowing an aspect of you (and being drawn to it), though I will never meet them. Life goes on. Until it doesn’t.

Fanny pandering w/ Marky Mark

Fanny Chicken: tv spot #1 because it mentions stealing Calvins. Dig the Rick Astley dance moves!

And tv spot #2, which is even funnier and QUITE the period piece. “Cuz they don’t make the hype shawrts.” “They fit good and they hold, hold me snug [cut to crotch grab].” “Oh, she got fweckles.” Also: more Rick Astley dance moves!

Back in the day (rapping with the kids on these here internets) who would have guessed this meathead would end up a decent actor and highly accomplished producer?

In retrospect, he does show good wit and self-awareness. But that’s only in hindsight. Back then? MEATHEAD!

Would pay $1 for a recording of all that was going on in Kate Moss’ head. Okay, $5.

Weiner “sex addict”? Feh!

On the radio, a liberal talkshow host starting talking prudishly/compassionately/condescendingly about Mark Weiner having a “sex addiction” for having tweeted some photos showing off his plumage/prowess/power in a cyber mating display.

His main mistake with PR is ignoring the fundamental rule of them with scandal management: full disclosure, right away. Otherwise the news cycle gets extended as details leak out, and the coverage becomes about the coverup, not the initial transgression(s).

Ya know, we’re all primates. We all do undignfied things every day. Like, say, poop. We’re not a classy species. No big deal.

As long as Weiner didn’t harm anybody, he’ll get through. People love pecadilloes. Heck, they’ve shown time and again they find such behavior adorable. Shows that leaders are just like them. Weiner will get re-elected, no problem.

What is irritating is the media wringing its hands like the moral arbiters of the country. Not necessary.

Comment dit-on?

Would love to be a bon vivant, but being cultivated takes a LOT more effort than I’m likely to put into it. A severe curmudgeonly streak also sours that enterprise. Maybe a ennui vivant? Nah, I get too amped up and laugh too much for any credible affectation of malaise. Golly, it is SO frustrating to develop self-labels.

TED Talks: a little precious

TED Talks are downloaded to my TiVo. I’m getting increasingly likely to delete with a scoff an episode based on the title, and even resistant to watching a whole episode I do choose to start. Viewing what I do has made me stronger, as I HATE flesh-ish colored foam covers on microphone headsets. Is that a floating tumor? A morsel of food? Hey, don’t think you can FOOL me, I KNOW you’re wearing a microphone!

Sidetracked.

Giving a TED Talk must feel like a big deal. No idea what the criteria are, why they are filmed in different towns. Does every city have a giant “TED” prop to drop on a stage any time someone feels profundity coming on? TED Talks feel rehearsed and precious.

Though this has to do with ladies’ fashion (not a topic I ever seek out), I watched this one all the way through. It was short:

The “Golly, I’m thrifty, but also paid money for wear-once clothing and then donated it back to make a point to you all” is charming on the surface, but the overall concept absurd. And the vibe of “dig my life” was a bit much. I was also distracted by “What kind of home life does she have?”

Sleepy woman versus a hot dog

Didn’t laugh at this so much as relate. Most every meal I have is a contest of wills between my hand and my head as to which will compromise the most. Sometimes my hand doesn’t WANT to be the appeaser. Sometimes it sticks up for itself and goes “Hey, head. How about you meet me halfway every once in a while instead of 10-15% of the way?” My head will be all like, “Hey, fuck that. I’m the head and I run you!” And the hand will sometimes go “Oh, okay.” and cave in. Every once in a while it’ll reply “I don’t care if you get any food or beverage. I don’t have any taste buds. Hardly anything in it for me.”

This dialog usually happens on lunch breaks, and I do the voices both for the hand and the head. And before you’re all like “Heh, awkward!” — know that my hand and head usually get applause at the end because they are both that damned entertaining and awesome.


Sleepy Woman Vs Hot Dog – Watch more Funny Videos

Attunement by a lusty old man

I’ve been re-reading a favorite book, Harold Bloom’s The Western Canon, a massive elegy for the sublime in literature. Its tone of defiance and celebration of great art, yelling like Lear at the overwhelming storm of dying standards and political correctness. has always brought great pleasure.

And I hated, as Bloom did, what he labeled “The School of Resentment” — literature critics with political agendas that trounce aesthetics. The late 80s and early 90s were overrun by the massive overshoot by multiculturalists who went beyond consideration and reflection on other cultures to a mad competitive rush to see who could be the most sensitive over the self-identified labels of the day (generally fine) and on behalf of categories they did not belong to (okay in theory, hideous in practice).

And among the things I enjoy now, 20 years later, is the world feels as if the School of Resentment has significantly faded. Gone is the Carry Nation prudery and groupthink of anti-sex writers like Catherine MacKinnon and Andrea Dworkin. The feminist field is now as wide and diverse in approaches as it should be, given its constituents are more than half the population.

I credit this book for helping recover my love of reading after graduating college. Showing that it was important to read for reading’s sake – as I’d spent the last several years reading in anticipation of quizzes and discussions and dissecting the works in graded essays and other projects. Harold Bloom and Camille Paglia helped me recover my ability to enjoy and seek out works for their ambition and their strangeness, and that I could fly by the nets of identity politics and engage with art of lasting merit.

But Bloom himself.

The videos I’ve seen of him have been of a man who probably looked 60 by his late 30s yet has held steady within his sturdy torso, resembling a bag of profound sighs (though he rarely sighs). A melodious, despairing, challenging voice that suits his authorial tone. He proclaims himself “Bloom Brontosaurus Bardolator” as a badge, a sense of resignation, and “a certain fury”. He rarely looks at the interviewer or the camera. He obviously tasks his brain with searches and phrases too much for visual courtesies, though he is perfectly gracious in his words to people.

Naomi Wolf famously accused him of hitting on her while she was an undergraduate student at Yale. If true, doubtless a horrifying, macabre experience, and she’s entitled to her rage at the unethical behavior. Yet his alleged line to her was so sublimely skeezy (“You have the aura of election upon you”), the dirty old woman/man part within us all can’t help but feel a little moved.

But, all allegations, and who has NOT had a shady moment in the “Just trying to get laid” department?

Resolutely fond of him I will remain. Sorry for that Yoda syntax. I remain fond and grateful to the man.